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The Late Show
Cover of The Late Show
The Late Show

#1 New York Times bestselling author Michael Connelly introduces Renee Ballard, a fierce young detective fighting to prove herself on the LAPD's toughest beat—the Late Show.


Renee Ballard works the midnight shift in Hollywood, beginning many investigations but finishing few, as each morning she turns everything over to the daytime units. It's a frustrating job for a once up-and-coming detective, but it's no accident. She's been given this beat as punishment after filing a sexual harassment complaint against a supervisor.

But one night Ballard catches two assignments she doesn't want to part with. First, a prostitute is brutally beaten and left for dead in a parking lot. All signs point to a crime of premeditation, not passion, by someone with big evil on his mind. Then she sees a young waitress breathe her last after being caught up in a nightclub shooting. Though dubbed a peripheral victim, the waitress buys Ballard a way in, and this time she is determined not to give up at dawn. Against orders and her partner's wishes, she works both cases by day while maintaining her shift by night.

As the investigations intertwine, Ballard is forced to face her own demons and confront a danger she could never have imagined. To find justice for these victims who can't speak for themselves, she must put not only her career but her life on the line.

Propulsive as a jolt of adrenaline and featuring a bold and defiant new heroien, The Late Show is yet more proof that Michael Connelly is "a master of the genre" (Washington Post).

#1 New York Times bestselling author Michael Connelly introduces Renee Ballard, a fierce young detective fighting to prove herself on the LAPD's toughest beat—the Late Show.


Renee Ballard works the midnight shift in Hollywood, beginning many investigations but finishing few, as each morning she turns everything over to the daytime units. It's a frustrating job for a once up-and-coming detective, but it's no accident. She's been given this beat as punishment after filing a sexual harassment complaint against a supervisor.

But one night Ballard catches two assignments she doesn't want to part with. First, a prostitute is brutally beaten and left for dead in a parking lot. All signs point to a crime of premeditation, not passion, by someone with big evil on his mind. Then she sees a young waitress breathe her last after being caught up in a nightclub shooting. Though dubbed a peripheral victim, the waitress buys Ballard a way in, and this time she is determined not to give up at dawn. Against orders and her partner's wishes, she works both cases by day while maintaining her shift by night.

As the investigations intertwine, Ballard is forced to face her own demons and confront a danger she could never have imagined. To find justice for these victims who can't speak for themselves, she must put not only her career but her life on the line.

Propulsive as a jolt of adrenaline and featuring a bold and defiant new heroien, The Late Show is yet more proof that Michael Connelly is "a master of the genre" (Washington Post).

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About the Author-
  • Michael Connelly is the author of twenty-nine previous novels, including the #1 New York Times bestsellers The Wrong Side of Goodbye and The Crossing. His books, which include the Harry Bosch and Lincoln Lawyer series, have sold more than sixty million copies worldwide. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels and is the executive producer of Bosch, starring Titus Welliver. He spends his time in California and Florida.
Reviews-
  • Publisher's Weekly

    Starred review from May 29, 2017
    The title of this excellent series launch from bestseller Connelly (The Wrong Side of Goodbye and 20 other Harry Bosch novels) refers to the midnight shift at LAPD’s Hollywood Division. Det. Renée Ballard has landed there in retribution for filing sexual harassment charges against her former boss, Lt. Robert Olivas. Two major crimes soon concern Ballard: the vicious beating of a woman, who says she was assaulted in the “upside-down house” but passes out before she can explain, and a nightclub shooting that kills five people. Though most “late show” cops hand off cases to their day shift counterparts, Ballard personally investigates the assault (with official approval) and the nightclub shooting (without). Olivas, who’s leading the latter investigation, wants her nowhere near the case. What follows is classic Connelly: a master class of LAPD internal politics and culture, good old-fashioned detective work, and state-of-the-art forensic science—plus a protagonist who’s smart, relentless, and reflective. Talking about the perpetrator of the assault, Ballard says, “This is big evil out there.” That’s Connelly’s great theme, and, once again, he delivers. Agent: Philip Spitzer, Philip G. Spitzer Literary.

  • Kirkus

    Starred review from July 1, 2017
    The 30th novel by the creator of Harry Bosch (The Wrong Side of Goodbye, 2016, etc.) and the Lincoln Lawyer (The Gods of Guilt, 2013, etc.) introduces an LAPD detective fighting doggedly for justice for herself and a wide array of victims.Ever since her partner, Detective Ken Chastain, failed to back up her sexual harassment claim against Lt. Robert Olivas, her supervisor at the Robbery Homicide Division, Renee Ballard has been banished to the midnight shift--the late show. She's kept her chin down and worked her cases, most of which are routinely passed on to the day shifts, without complaints or recriminations. But that all ends the night she and Detective John Jenkins, the partner who's running on empty, are called to The Dancers, a nightclub where five people have been shot dead. Three of them--a bookie, a drug dealer, and a rumored mob enforcer--are no great loss, but Ballard can't forget Cynthia Haddel, the young woman serving drinks while she waited for her acting career to take off. The case naturally falls to Olivas, who humiliatingly shunts Ballard aside. But she persists in following leads during her time off even though she'd already caught another case earlier the same night, the brutal assault on Ramona Ramone, ne Ramon Gutierrez, a trans hooker beaten nearly to death who mumbles something about "the upside-down house" before lapsing into a coma. Despite, or because of, the flak she gets from across the LAPD, Ballard soldiers on, horrified but energized when Chastain is gunned down only a few hours after she tells him off for the way he let her down two years ago. She'll run into layers of interference, get kidnapped herself, expose a leak in the department, kill a man, and find some wholly unexpected allies before she claps the cuffs on the killer in a richly satisfying conclusion. More perhaps than any of Connelly's much-honored other titles, this one reveals why his procedures are the most soulful in the business: because he finds the soul in the smallest procedural details, faithfully executed.

    COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

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